Showing posts with label SOCIAL MEDIA. Show all posts
Showing posts with label SOCIAL MEDIA. Show all posts

April 28, 2021

 

Social media companies building 'a society that is addicted, outraged, polarized,' critic tells senators


Jon Ward
·Chief National Correspondent

Top executives from social media giants were questioned Tuesday by U.S. senators about how they choose to promote content on their platforms — and were confronted by one of their industry’s chief critics.

Sen. Chris Coons, D-Del., held a hearing with representatives from Facebook, YouTube and Twitter and focused on their business models and how that drives their decision making, rather than on their attempts to moderate or remove content.

Coons, who chairs the Senate Judiciary Committee’s Subcommittee on Privacy, Technology, and the Law, was joined in this emphasis by Sen. Ben Sasse, R-Neb., the ranking Republican on the panel.

Sasse tried to get the representatives from the social media companies to engage substantively with critiques from Tristan Harris, a former Google engineer who in 2015 founded what would become the Center for Humane Technology.

Harris was the star of a major documentary on the social media companies last year, “The Social Dilemma,” and he leveled many of the same arguments he voiced in that film against the tech behemoths on Tuesday.

“Their business model is to create a society that is addicted, outraged, polarized, performative and disinformed,” Harris said of social media companies. “And while they can try to skim the major harm off the top and do what they can, and we want to celebrate that ... it’s just fundamentally that they’re trapped in something that they can't change.”

Chairman Sen. Christopher Coons (D-DE) makes his opening statement during a hearing of the Senate Judiciary Subcommittee on Privacy, Technology, and the Law, at the U.S. Capitol on April 27, 2021 in Washington, DC. (Tasos Katopodis-Pool/Getty Images)
Sen. Christopher Coons, D-Del. (Getty Images)

Harris talked about the ways Facebook, YouTube, Twitter and TikTok — the one company that did not have a representative at the hearing — make more money the longer people stay on their platforms. It has now been well-documented by researchers that these companies appear to promote whatever content will keep users on their sites, in what Harris called a “values-blind process.”

That can lead to millions of Americans being influenced by content that is untrue and even harmful, in large part because these social media companies promoted this disinformation to them.

But the main problem is that no one besides the companies knows for sure how the algorithms that drive their recommendations work.

Harris alleged that the way these companies appear to be functioning is a national security threat as well.

“If Russia or China tried to fly a plane into the United States they’d be shot down by our Department of Defense. But if they try to fly an information bomb into the United States, they’re met by a white-gloved algorithm from one of these companies, which says, ‘Exactly which ZIP code would you like to target?’” Harris said.

He was joined in the hearing by another tech skeptic, Joan Donovan, the research director at Harvard’s Shorenstein Center on Media, Politics, and Public Policy.

Tristan Harris, co-founder and president at the Center for Humane Technology, testifies virtually during a Senate Judiciary Subcommittee hearing in Washington, D.C., U.S., on Tuesday, April 27, 2021. (Al Drago/Bloomberg via Getty images)
Tristan Harris, co-founder and president at the Center for Humane Technology, testifies during a Senate Judiciary Committee hearing Tuesday. (Al Drago/Bloomberg via Getty images)

The tech officials who testified were Monika Bickert, Facebook’s vice president for content policy; Alexandra Veitch, a government affairs executive for YouTube; and Lauren Culbertson, Twitter’s U.S. public policy chief.

Sasse’s attempts to produce a meaningful debate between Harris and the three social media executives was largely unsuccessful. Bickert emphasized that Facebook wants to cultivate a healthy long-term relationship with its users and that promoting bad information doesn’t help them do that. Veitch gave a version of the same response. “Misinformation is not in our interest,” the YouTube executive said.

Sasse also dismissed talk of repealing Section 230 of the Communications Decency Act of 1996, which has been a hobby horse for some lawmakers and the subject of targeted regulation proposals by others. Section 230 essentially prevents social media companies from being held legally responsible for what is posted by users on their platforms, but Harris also seemed skeptical that repealing Section 230 was the best route forward.

Harris, however, warned that social media companies are behaving in ways that are dangerous for American democracy. “If we are not a coordinated society, if we cannot recognize each other as Americans, we are toast,” he said. “If we don’t have a truth that we can agree on, we cannot do anything on our existential threats.”

Harris also said that the choice for the world is whether America and other democratic societies can figure out how to transition into the digital age in a way that preserves free speech while also developing ways to reduce the harms of disinformation.

U.S. Senator Ben Sasse (R-NE), ranking member of the Senate Judiciary Subcommittee on Privacy, Technology, and the Law, speaks during a hearing in Washington, D.C., U.S., April 27, 2021. (Al Drago/Pool via Reuters)
Sen. Ben Sasse, R-Neb. (Reuters)

Coons, for his part, said he shared Harris’s view that “the business model of social media requires [them] to accelerate” the time users spend on their platforms.

He pushed the tech executives to open up.

“I think greater transparency about ... how your algorithms actually work and about how you make decisions about your algorithms is critical. Are you considering the release of more details about this?” Coons asked.

Only Culbertson, the Twitter executive, responded. “We totally agree that we should be more transparent,” she said, and mentioned that Twitter is working on what she called a “blue sky initiative,” which she said could “potentially create more controls for the people who use our services."

Coons said he would like to discuss what kind of steps are necessary in his next hearing. That could potentially include government regulation to require more algorithmic transparency from the tech companies.

Lauren Culbertson, head of U.S. public policy at Twitter Inc., testifies virtually during a Senate Judiciary Subcommittee hearing in Washington, D.C., U.S., April 27, 2021. (Al Drago/Pool via Reuters)
Lauren Culbertson, head of U.S. public policy at Twitter. (Reuters)

Some advocates and experts think forcing social media companies to be transparent about how their algorithms work is a key first step. Many of these same experts believe, as author Francis Fukuyama recently wrote, that deplatforming — the act of removing troublesome users from social media — is “not a sustainable path for any modern liberal democracy.” Donald Trump, for example, was banned from Twitter and Facebook while he was still the sitting president, highlighting concerns that social media companies are becoming more powerful than duly elected public officials, even if many feel such a suspension was appropriate at the time.

But some lawmakers don’t think algorithmic transparency is enough. Their view is that external pressure is needed to force the big tech companies to take actions to protect more vulnerable users from the harms of its profit-driven algorithms.

July 28, 2014

Twitter & Social Media: At Front Lines, Bearing Witness in Real Time



                         Credit Mauricio Lima for The New York Times        
DAVID CARR, N.Y. TIMES

My social media feed has taken a bloody turn in the last few weeks, and I’m hardly alone. Along with the usual Twitter wisecracking and comments on incremental news, I have seen bodies scattered across fields and hospitals in Ukraine and Gaza. I have read posts from reporters who felt threatened, horrified and revolted.
Geopolitics and the ubiquity of social media have made the world a smaller, seemingly gorier place. If Vietnam brought war into the living room, the last few weeks have put it at our fingertips. On our phones, news alerts full of body counts bubble into our inbox, Facebook feeds are populated by appeals for help or action on behalf of victims, while Twitter boils with up-to-the-second reporting, some by professionals and some by citizens, from scenes of disaster and chaos.

For most of recorded history, we have witnessed war in the rearview mirror. It took weeks and sometimes months for Mathew Brady’s, and his associates’, photos of the bloody consequences of Antietam to reach the public. And while the invention of the telegraph might have let the public know what side was in ascent, images that brought a remote war home frequently lagged.
   

Ayman Mohyeldin, left, an NBC reporter, at a Gaza hospital. He posted on Twitter about an Israeli strike that killed four boys. Credit NBC News       

Then came radio reports in World War II, with the sounds of bombs in the background, closing the distance between men who fought wars and those for whom they were fighting. Vietnam was the first war to leak into many American living rooms, albeit delayed by the limits of television technology at the time. CNN put all viewers on a kind of war footing, with its live broadcasts from the first gulf war in 1991.
But in the current news ecosystem, we don’t have to wait for the stentorian anchor to arrive and set up shop. Even as some traditional media organizations have pulled back, new players like Vice and BuzzFeed have stepped in to sometimes remarkable effect.
Citizen reports from the scene are quickly augmented by journalists. And those journalists on the ground begin writing about what they see, often via Twitter, before consulting with headquarters about what it all means.
Bearing witness is the oldest and perhaps most valuable tool in the journalist’s arsenal, but it becomes something different delivered in the crucible of real time, without pause for reflection. It is unedited, distributed rapidly and globally, and immediately responded to by the people formerly known as the audience.
It has made for a more visceral, more emotional approach to reporting. War correspondents arriving in a hot zone now provide an on-the-spot moral and physical inventory that seems different from times past. That emotional content, so noticeable when Anderson Cooper was reporting from the Gulf Coast during Hurricane Katrina in 2005, has now become routine, part of the real-time picture all over the web.
The absence of the conventional layers of journalism — correspondents filing reports that are then edited for taste and accuracy — has put several journalists under scrutiny, mostly for responding in the moment to what they saw in front of them.
 
A reporter from The Wall Street Journal wondered on Twitter what the patients at a Gaza hospital thought of Hamas’s leadership setting up shop in the same location. Ayman Mohyeldin, an NBC News correspondent, was purportedly pulled out of Gaza after posting on Twitter about an Israeli strike that killed four Palestinian boys, accompanied by the hashtag #horror.
 
 CNN has pulled correspondent Diana Magnay from covering the Israeli-Palestinian conflict and reassigned her to Moscow on Friday, a day after she tweeted — and then deleted — that Israelis threatening her and cheering at the bombing of Gaza were "scum."
 
Diana Magnay of CNN found herself reassigned to Moscow after she complained on Twitter that she was being threatened by Israelis who were watching the attacks on Gaza from a hill in Israel, calling them “scum.”
And it’s not just a one-way broadcast. Ms. Magnay’s name-calling caused an immediate uproar on the Internet. A Sky News reporter, Colin Brazier, was upbraided on Twitter after going through the belongings of the victims of the downed aircraft in Ukraine during a live shot. He promptly apologized. And after removing Mr. Mohyeldin from Gaza, NBC News was widely criticized on social media, including by many journalists, and it is worth noting that he was reinstated to the assignment. The megaphone goes both ways.
 
MH17: Sky News reporter Colin Brazier reports from the crash scene
MH17: Sky News reporter Colin Brazier reports from the crash scene. Photograph: Sky News
 
The public has developed an expectation that it will know exactly what a reporter knows every single second, and news organizations are increasingly urging their correspondents to use social media to tell their stories — and to extend their brand. (Unless the reporter says something dumb. Then, not so much.)
 
Anne Barnard, a reporter for The New York Times covering the Israeli-Palestinian conflict, was criticized on Twitter for ... not tweeting. She sees journalistic value in the short-form text service. Interviewed on NPR, Ms. Barnard said: “I think over all it brings more benefits than problems. I think we just — again, we have to remember our primary work is the reporting we’re doing on the ground. You know, our job isn’t to tweet in real time.”
Twitter’s ability to carry visual information has made it an even more important part of the news narrative. A message may be only 140 characters, but we all know a picture is worth many, many words.
Often, it is a single image that comes to represent big, complicated events. The children fleeing napalm in Vietnam, an incinerated soldier along a “highway of death” during the gulf war or the hooded prisoner standing on a box in Abu Ghraib.
 
Barbie Zelizer, a professor at the University of Pennsylvania’s Annenberg School for Communication, says social media has not fundamentally altered the vocabulary of war.
“It is a difference of degree, not of kind,” she said. “There are more pictures more frequently from more people, but they still serve the same purpose, which is to give us a glimpse, a window, into conflict.”
But we no longer have to wait for those moments.
 
Tyler Hicks, a longtime photographer for The Times, was at a hotel in Gaza City across from the beach where the four Palestinian boys died. He tweeted the news immediately, took a photo that was hard to glance at and then wrote about what it was like to be standing there.
 
The aftermath of an airstrike on a beach in Gaza City on Wednesday. Four young Palestinian boys, all cousins, were killed. Credit Tyler Hicks/The New York Times        
 
He said that he felt horrified, but that in a clinical sense he also felt exposed. “If children are being killed, what is there to protect me, or anyone else?”
The act of witness, a foundation of war reporting, has been democratized and disseminated in new ways. The same device that carries photos of your mother’s new puppy or hosts aimless video games also serves up news from the front.
Many of us cannot help looking because of what Susan Sontag has called “the perennial seductiveness of war.” It is a kind of rubbernecking, staring at the bloody aftermath of something that is not an act of God but of man. The effect, as Ms. Sontag pointed out in an essay in The New Yorker in 2002, is anything but certain.
“Making suffering loom larger, by globalizing it, may spur people to feel they ought to ‘care’ more,” she wrote. “It also invites them to feel that the sufferings and misfortunes are too vast, too irrevocable, too epic to be much changed by any local, political intervention.”
 
A Gaza beach moments after two explosions on Wednesday killed four boys playing there and leveled a shack. The Israel Defense Forces acknowledged that it was responsible for the “tragic outcome” and said the attack was aimed at Hamas. Credit Tyler Hicks/The New York Times        
 
So now that war comes to us in real time, do we feel helpless or empowered? Do we care more, or will the ubiquity of images and information desensitize us to the point where human suffering loses meaning when it is part of a scroll that includes a video of your niece twerking? Oh, we say as our index finger navigates to the next item, another one of those

April 15, 2013

SOCIAL MEDIA RUINS FRIENDSIPS




Survey: Social Media Ruins Friendships

Forget the Real World house. Twitter is, apparently, where people “stop being polite and start getting real.” A new study finds that people on social media are ruder and more likely to hurl insults than they would be in person, and the increase in incivility is leading to friendships ending. The survey found that 78 percent of respondents noticed that people are increasingly more uncouth on social media than they are face to face. Arguments caused from that behavior has led to blocking, unsubscribing, and unfriending offending users, 19 percent of respondents say—with friendships also ending in the real world. #Harsh.  [From The Daily Beast Cheat Sheet]